debit

Press

QUOTES:

Although we will never hear that world, the one that Beatríz conjures on Long Count is both beautiful and strange, a meditation on innovation sourced from ancient knowledge.

Zoë Beery, Resident Advisor

Named after the ancient Mesoamerican Long Count calendar, The Long Count is an unsettlingly beautiful fever dream of ceremonial Mayan wind instruments, digitised datasets, machine learning, and sound sculpture reconstructions. Simultaneously reaching into the far-flung past and a technonaturalistic future, it’s an intoxicating mélange of historical reflection and speculative futurism. Unnerving, calming, and impossible to ignore.

Martyn Pepperell, Mixmag

The result is a masterfully composed ambient album of uncannily organic textures, with a mysterious, psychedelic intensity that transcends conventional rhythm and structure.

Eoin Murray, DJ Mag

‘Audacious’ was the cut that gripped us by the teeth, an aggressive barrage of sucker punches squeezed into less than three minutes — essential for those nights when you want to get all apocalyptic.

Tiny Mix Tapes

Over the course of Monterrey-born, New York-based producer DEBIT’s career, she’s interpreted Latin drum patterns, like the dembow riddim, through the conceptual lens of experimental techno.

Fact Magazine

Just when you thought tribal guarachero would be remembered as little more than an early decade musical meme, NAAFI affiliate Debit swooped into the club wearing her pointiest snakeskin boots and changed the game.

Richard Villegas, Remezcla

Asymmetric, astringent, aggy, System finds Debit’s sound delacquered of gloss and delivered in gruff, textured tones in a wicked balance of gripping rhythmic sensuality and brutality.

Boomkat

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