Performance
live concert formats site-specific sound installations, and emerging performance formats.

Debit turns each performance into a living archive, weaving ancient acoustics, machine-learning instruments, and Latinx dance lineages into an all-encompassing Gesamtkunstwerk—total artworks where sound, light, and critical narrative converge in a ritual of frequency embodiment.

Key live and installation projects
- Sequedad Sobrenaturalizada (Ex Teresa Arte Actual, Mexico City): a site-specific oratorio that filters Carmelite choral repertoire through sub-bass synthesis, live choir, and programmed light, turning a Baroque nave into a breathing acoustic sculpture.
- Lipid Muse (60th Venice Biennale, 2024): multichannel sound design for Wang Shui’s monumental installation, enveloping viewers in a shifting sonic atmosphere that links biomorphic sculpture to electronic folklore.
- La Culebra (collaboration with La Bruja de Texcoco, 2023–): a ritual opera that braids serpent mythologies, Indigenous percussion, and live electronics into a trans-feminine reclamation of folklore and futurity.
- The Long Count world-tour sets: Late-Classic Mayan aerophones resurrected via machine-learning instruments and 360° projections, praised by The Guardian, BBC Radio 3, and Pitchfork.
- Earlier works Animus (N.A.A.F.I., 2018) and System (2020) translate pneumatic club idioms and tribal guarachero into industrial-techno frameworks, anchoring DJ sets that splice cumbia rebajada, drone, and hard percussion into hypnotic narrative arcs.

Sequedad Sobrenaturalizada (Ex Teresa Arte Actual, Mexico City): a site-specific oratorio that filters Carmelite choral repertoire through sub-bass synthesis, live choir, and programmed light, turning a Baroque nave into a breathing acoustic sculpture.